{"id":28918,"date":"2025-07-15T15:22:28","date_gmt":"2025-07-15T14:22:28","guid":{"rendered":"https:\/\/www.londonpianoinstitute.co.uk\/?p=28918"},"modified":"2025-08-08T10:02:50","modified_gmt":"2025-08-08T09:02:50","slug":"understanding-chord-notation","status":"publish","type":"post","link":"https:\/\/www.londonpianoinstitute.co.uk\/understanding-chord-notation\/","title":{"rendered":"Understanding Chord Notation: A Practical Guide for Musicians"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1331.2px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><p class=\"intro\">In the world of music, chord notation serves as a universal shorthand, enabling musicians to communicate rich harmonic ideas quickly and efficiently.<\/p>\n<p class=\"intro\">Rather than writing out every note on the stave, chord notation uses symbols to indicate entire groups of notes that form chords.<\/p>\n<p class=\"intro\">Whether you are strumming an acoustic guitar, comping chords on a jazz piano, or arranging music for an ensemble, this compact language empowers you to move fluently through harmonic progressions, providing a powerful framework for performance and improvisation alike.<\/p>\n<p>My own experience, spanning more than a decade of teaching, performing, and arranging, has shown how vital chord notation is to musical literacy. <\/p>\n<p>When you can read a lead sheet and interpret a chord progression confidently, you are no longer tied to sheet music note for note. Instead, you can adapt, improvise, and collaborate in real time, speaking a language that crosses genres and instruments. <\/p>\n<p>In this guide, I will share a deep, reliable explanation of chord symbols, building your trust in this essential skill and helping you gain authority as a well-rounded musician.<\/p>\n<p><a href=\"https:\/\/www.londonpianoinstitute.co.uk\/understanding-chord-notation\/man-hand-playing-piano-2\/\" rel=\"attachment wp-att-28926\"><img decoding=\"async\" src=\"https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/man-hand-playing-piano.jpg\" alt=\"Man hand playing piano\" width=\"1200\" height=\"527\" class=\"alignnone size-full wp-image-28926\" srcset=\"https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/man-hand-playing-piano-200x88.jpg 200w, https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/man-hand-playing-piano-300x132.jpg 300w, https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/man-hand-playing-piano-400x176.jpg 400w, https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/man-hand-playing-piano-500x220.jpg 500w, https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/man-hand-playing-piano-600x264.jpg 600w, https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/man-hand-playing-piano-700x307.jpg 700w, https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/man-hand-playing-piano-768x337.jpg 768w, https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/man-hand-playing-piano-800x351.jpg 800w, https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/man-hand-playing-piano-1024x450.jpg 1024w, https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/man-hand-playing-piano.jpg 1200w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a><\/p>\n<h2>Basic Chords and Their Qualities<\/h2>\n<p>At its simplest, a chord symbol states the root of the chord, its quality (such as major or minor), and any extensions or alterations. <\/p>\n<p>Let us begin with the basics. The symbol C represents C major, built from the notes C, E, and G. <\/p>\n<p>If you see Cm or Cmin, that means C minor, which lowers the third to E\u266d, producing a darker and more melancholic sound. These two chords \u2014 major and minor \u2014 are the cornerstones of Western harmony, appearing in almost every style from pop to classical.<\/p>\n<p>Next comes C7, known as C dominant seventh. This adds a flattened seventh degree (B\u266d) to the major triad, forming C, E, G, B\u266d. <\/p>\n<p>Dominant sevenths create tension that begs for resolution, which is why they are common in blues and jazz. On the other hand, Cm7, or C minor seventh, builds on the minor triad but adds a minor seventh, so you have C, E\u266d, G, B\u266d. <\/p>\n<p>The sound of Cm7 is moody and soulful, and it is a favourite in jazz and ballads.<\/p>\n<p>The symbol Cmaj7 refers to C major seven, containing the major triad plus a major seventh (B natural). <\/p>\n<p>This chord is lush and elegant, giving a sophisticated feel that is extremely popular in jazz, soul, and R&#038;B. <\/p>\n<p>Beyond these, you will encounter Cdim, the C diminished triad, made of C, E\u266d, G\u266d. Diminished chords create a highly unstable and tense sonority, perfect for transitions. <\/p>\n<p>Similarly, Caug, or C augmented, raises the fifth, giving C, E, G\u266f \u2014 a bright, unresolved sound. The C6 chord, adding the sixth (A) to the major triad, and the Cm6, adding the sixth to the minor triad, offer a vintage, jazz-inflected colour to harmonies.<\/p>\n<p>Once you are comfortable with these foundation chords, you can explore extensions and alterations, which add more tones beyond the basic triad or seventh. <\/p>\n<p>The symbol C9 includes the dominant seventh and a ninth (D), building C, E, G, B\u266d, D. Similarly, C13 extends even further, including the thirteenth (A) alongside the seventh, ninth, and sometimes the eleventh. <\/p>\n<p>These extended chords enrich harmonic language, giving jazz and funk their distinctive voicings.<\/p>\n<p>Altered dominant chords use raised or lowered extensions for extra tension. <\/p>\n<p>For instance, C7\u266d9 adds a flattened ninth (D\u266d) to a dominant seventh, while C7\u266f9 adds a sharpened ninth (D\u266f). <\/p>\n<p>These chords sound intense and unresolved, typically resolving back to a tonic chord. <\/p>\n<p>Another variant is Cadd9, which means a C major chord with an added ninth (D), but without the seventh. <\/p>\n<p>This chord sounds bright, open, and pop-friendly, and is common in modern songwriting.<\/p>\n<p><a href=\"https:\/\/www.londonpianoinstitute.co.uk\/understanding-chord-notation\/close-up-of-hands-playing-a-c-major-chord-on-a-digital-piano-keyboard\/\" rel=\"attachment wp-att-28925\"><img decoding=\"async\" src=\"https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/close-up-of-hands-playing-a-C-major-chord-on-a-digital-piano-keyboard.jpg\" alt=\"Close up of hands playing a C major chord on a digital piano keyboard\" width=\"1200\" height=\"527\" class=\"alignnone size-full wp-image-28925\" srcset=\"https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/close-up-of-hands-playing-a-C-major-chord-on-a-digital-piano-keyboard-200x88.jpg 200w, https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/close-up-of-hands-playing-a-C-major-chord-on-a-digital-piano-keyboard-300x132.jpg 300w, https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/close-up-of-hands-playing-a-C-major-chord-on-a-digital-piano-keyboard-400x176.jpg 400w, https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/close-up-of-hands-playing-a-C-major-chord-on-a-digital-piano-keyboard-500x220.jpg 500w, https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/close-up-of-hands-playing-a-C-major-chord-on-a-digital-piano-keyboard-600x264.jpg 600w, https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/close-up-of-hands-playing-a-C-major-chord-on-a-digital-piano-keyboard-700x307.jpg 700w, https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/close-up-of-hands-playing-a-C-major-chord-on-a-digital-piano-keyboard-768x337.jpg 768w, https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/close-up-of-hands-playing-a-C-major-chord-on-a-digital-piano-keyboard-800x351.jpg 800w, https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/close-up-of-hands-playing-a-C-major-chord-on-a-digital-piano-keyboard-1024x450.jpg 1024w, https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/close-up-of-hands-playing-a-C-major-chord-on-a-digital-piano-keyboard.jpg 1200w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a><\/p>\n<h2>Advanced Concepts and Practical Applications<\/h2>\n<p>A frequent feature of chord notation is the use of slash chords. <\/p>\n<p>These are written in the form \u201cChord\/Bass,\u201d showing the chord to play and a specific bass note to use underneath. For example, C\/G means to play a C major chord with G in the bass. <\/p>\n<p>This effectively inverts the chord, giving a different sonority and a smoother bass line. <\/p>\n<p>Similarly, D\/F\u266f means to play a D major chord with F\u266f as the lowest note. Slash chords are a vital tool for arranging and writing fluid progressions, especially in pop, folk, and jazz.<\/p>\n<p>Alongside these chord types, you will see abbreviations that deserve to be explained fully. <\/p>\n<p>The triangle symbol \u0394 means major seven \u2014 for instance, C\u0394 equals C major seven. The letter o or the abbreviation dim means diminished, while the plus sign + or aug means augmented. <\/p>\n<p>Suspended chords are marked with sus4 or sus2, replacing the third of the chord with either the fourth or second degree, creating a floating, unresolved sound that resolves beautifully back to the triad.<\/p>\n<p>You might wonder why chord notation developed this way. Historically, chord symbols grew out of jazz and popular music to make complex harmonic structures fast and simple to read. <\/p>\n<p>Instead of writing every note on the stave, a single symbol tells you the root, quality, and any additions or alterations. <\/p>\n<p>This lets performers improvise chord voicings on the spot, adapting to the song\u2019s style and feel. In professional music circles, it is essential for speed, accuracy, and creative freedom.<\/p>\n<p>I have seen in countless rehearsals how chord notation helps a band or ensemble move smoothly through a chart. <\/p>\n<p>Instead of reading dense piano arrangements, players can communicate using chord symbols and fill out their own interpretations. <\/p>\n<p>This supports collaboration and encourages listening skills, as everyone follows the same framework but contributes personal colour.<\/p>\n<p>Expertise with chord notation means understanding more than just the labels. It means knowing the intervals within the chord, the function of the chord in a key, and the voice-leading possibilities between chords. <\/p>\n<p>For example, a C7 naturally wants to resolve to F major because of its dominant function. <\/p>\n<p>Recognising that lets you anticipate changes, improvise more fluidly, and build harmonies that make sense musically.<\/p>\n<p>Musicians who are fluent in chord notation gain respect and trust from their peers. <\/p>\n<p>They can sit in on a jam session, accompany a singer, or arrange a tune for a band, with the confidence that they will follow the harmonic roadmap correctly. <\/p>\n<p>This authority grows from accurate knowledge and practical skill, showing you are not just repeating shapes, but truly understanding the music.<\/p>\n<p>In teaching, I always emphasise clarity and honesty about chord notation. <\/p>\n<p>Students often get confused by inconsistent or incorrect symbols, so it is vital to explain each chord carefully, with reliable sources and practical examples. <\/p>\n<p>Consistency and transparency build trust, ensuring students can apply the same knowledge wherever they play.<\/p>\n<p>Beyond its practical uses, chord notation represents an ethical standard for musicians. <\/p>\n<p>It respects the music by not oversimplifying, and it respects the learner by giving clear, complete information. <\/p>\n<p>Using correct chord symbols shows respect for the composer\u2019s intent and the listener\u2019s experience, supporting a musical culture of accuracy and honesty.<\/p>\n<p>In closing, chord notation is one of the most valuable skills a musician can acquire. <\/p>\n<p>By understanding what each symbol means, from basic triads to complex altered chords and inversions, you gain a toolkit to express yourself musically in any style or setting. <\/p>\n<p>The ability to interpret chord symbols makes you a more flexible and confident player, capable of collaborating with others and adapting to the demands of modern music. <\/p>\n<p>Whether you are strumming a folk tune, playing jazz standards, or writing your own compositions, chord notation is your key to fluent, creative, and authentic music-making. Last but not least, let me list some tips in building chords<\/p>\n<p><a href=\"https:\/\/www.londonpianoinstitute.co.uk\/understanding-chord-notation\/male-hands-playing-the-acoustic-piano_feat\/\" rel=\"attachment wp-att-28924\"><img decoding=\"async\" src=\"https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/male-hands-playing-the-acoustic-piano_feat.jpg\" alt=\"Male hands playing the acoustic piano\" width=\"1200\" height=\"527\" class=\"alignnone size-full wp-image-28924\" srcset=\"https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/male-hands-playing-the-acoustic-piano_feat-200x88.jpg 200w, https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/male-hands-playing-the-acoustic-piano_feat-300x132.jpg 300w, https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/male-hands-playing-the-acoustic-piano_feat-400x176.jpg 400w, https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/male-hands-playing-the-acoustic-piano_feat-500x220.jpg 500w, https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/male-hands-playing-the-acoustic-piano_feat-600x264.jpg 600w, https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/male-hands-playing-the-acoustic-piano_feat-700x307.jpg 700w, https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/male-hands-playing-the-acoustic-piano_feat-768x337.jpg 768w, https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/male-hands-playing-the-acoustic-piano_feat-800x351.jpg 800w, https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/male-hands-playing-the-acoustic-piano_feat-1024x450.jpg 1024w, https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/male-hands-playing-the-acoustic-piano_feat.jpg 1200w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a><\/p>\n<h2>Practical Chord Exercises<\/h2>\n<h3>1. Major and Minor Triad Practise<\/h3>\n<p>Choose three root notes (for example: C, G, and D).<\/p>\n<ul class=\"blog-list-more-space\">\n<li>Play each as a major triad. Spell out the notes carefully (e.g., C\u2013E\u2013G, G\u2013B\u2013D, D\u2013F\u266f\u2013A).<\/li>\n<li>Then play each as a minor triad (C\u2013E\u266d\u2013G, G\u2013B\u266d\u2013D, D\u2013F\u2013A).<\/li>\n<li>Listen to the difference between the warm, bright sound of the major and the darker, sadder tone of the minor.<\/li>\n<\/ul>\n<p><strong>Goal:<\/strong> Build ear training and quick recall of major vs. minor triads.<\/p>\n<h3>2. Seventh Chord Variations<\/h3>\n<p>On each of those same roots, build:<\/p>\n<ul class=\"blog-list-more-space\">\n<li>Dominant seventh: add a minor seventh to the major triad (e.g., C\u2013E\u2013G\u2013B\u266d)<\/li>\n<li>Major seventh: add a major seventh to the major triad (e.g., C\u2013E\u2013G\u2013B)<\/li>\n<li>Minor seventh: add a minor seventh to the minor triad (e.g., C\u2013E\u266d\u2013G\u2013B\u266d)<\/li>\n<\/ul>\n<p>Practise moving between these chords and hear how the colour shifts with each change.<\/p>\n<h3>3. Extensions and Alterations<\/h3>\n<p>Pick a dominant seventh chord you like (say, G7) and experiment with extensions:<\/p>\n<ul class=\"blog-list\">\n<li>G9 (G\u2013B\u2013D\u2013F\u2013A)<\/li>\n<li>G13 (G\u2013B\u2013D\u2013F\u2013E)<\/li>\n<li>G7\u266f9 (G\u2013B\u2013D\u2013F\u2013A\u266f)<\/li>\n<\/ul>\n<p>Try resolving these extended chords back to C major. Notice how the tension of the altered notes resolves smoothly to the tonic chord.<\/p>\n<h3>4. Slash Chord Practise<\/h3>\n<p>Practise inversions using slash chords. Take C major:<\/p>\n<ul class=\"blog-list\">\n<li>C\/E means put E in the bass<\/li>\n<li>C\/G means put G in the bass<\/li>\n<\/ul>\n<p>Play these inversions in sequence and feel how the bass line sounds smoother and more connected.<\/p>\n<p>5. Suspended Chords<\/p>\n<p>Practise suspended chords on D major:<\/p>\n<ul class=\"blog-list\">\n<li>Dsus4 (D\u2013G\u2013A)<\/li>\n<li>Dsus2 (D\u2013E\u2013A)<\/li>\n<li>Resolve each back to D major (D\u2013F\u266f\u2013A)<\/li>\n<\/ul>\n<p>Notice the sense of suspension and how it resolves to stability.<\/p>\n<p><a href=\"https:\/\/www.londonpianoinstitute.co.uk\/understanding-chord-notation\/man-in-suit-playing-piano-with-sheet-music\/\" rel=\"attachment wp-att-28923\"><img decoding=\"async\" src=\"https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/man-in-suit-playing-piano-with-sheet-music.jpg\" alt=\"Man in suit playing piano with sheet music\" width=\"1200\" height=\"527\" class=\"alignnone size-full wp-image-28923\" srcset=\"https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/man-in-suit-playing-piano-with-sheet-music-200x88.jpg 200w, https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/man-in-suit-playing-piano-with-sheet-music-300x132.jpg 300w, https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/man-in-suit-playing-piano-with-sheet-music-400x176.jpg 400w, https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/man-in-suit-playing-piano-with-sheet-music-500x220.jpg 500w, https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/man-in-suit-playing-piano-with-sheet-music-600x264.jpg 600w, https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/man-in-suit-playing-piano-with-sheet-music-700x307.jpg 700w, https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/man-in-suit-playing-piano-with-sheet-music-768x337.jpg 768w, https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/man-in-suit-playing-piano-with-sheet-music-800x351.jpg 800w, https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/man-in-suit-playing-piano-with-sheet-music-1024x450.jpg 1024w, https:\/\/www.londonpianoinstitute.co.uk\/wp-content\/uploads\/2025\/07\/man-in-suit-playing-piano-with-sheet-music.jpg 1200w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a><\/p>\n<h2>Piano Voicing Examples<\/h2>\n<p>Let\u2019s map out fingerings on piano for a few common chords.<\/p>\n<p><strong>Cmaj7<\/strong><\/p>\n<ul class=\"blog-list\">\n<li>Left hand: play C in the bass<\/li>\n<li>Right hand: play E\u2013G\u2013B<\/li>\n<li>Together, you get C\u2013E\u2013G\u2013B<\/li>\n<\/ul>\n<p><strong>G7<\/strong><\/p>\n<ul class=\"blog-list\">\n<li>Left hand: G in the bass<\/li>\n<li>Right hand: B\u2013D\u2013F<\/li>\n<li>This voicing is compact and easy to transition to a C major chord<\/li>\n<\/ul>\n<p><strong>F\u266f\u00f87 (F\u266f half-diminished seven)<\/strong><\/p>\n<ul class=\"blog-list\">\n<li>Left hand: F\u266f in the bass<\/li>\n<li>Right hand: A\u2013C\u2013E<\/li>\n<li>This is a common jazz voicing leading to B minor or G major<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":19,"featured_media":28927,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"rank_math_lock_modified_date":false,"footnotes":""},"categories":[235],"tags":[547,355,548,501,546],"class_list":["post-28918","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-theory","tag-chord-voicing","tag-music-theory","tag-piano-chords","tag-piano-music-theory","tag-understanding-chord-notation"],"_links":{"self":[{"href":"https:\/\/www.londonpianoinstitute.co.uk\/wp-json\/wp\/v2\/posts\/28918","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.londonpianoinstitute.co.uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.londonpianoinstitute.co.uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.londonpianoinstitute.co.uk\/wp-json\/wp\/v2\/users\/19"}],"replies":[{"embeddable":true,"href":"https:\/\/www.londonpianoinstitute.co.uk\/wp-json\/wp\/v2\/comments?post=28918"}],"version-history":[{"count":8,"href":"https:\/\/www.londonpianoinstitute.co.uk\/wp-json\/wp\/v2\/posts\/28918\/revisions"}],"predecessor-version":[{"id":28956,"href":"https:\/\/www.londonpianoinstitute.co.uk\/wp-json\/wp\/v2\/posts\/28918\/revisions\/28956"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.londonpianoinstitute.co.uk\/wp-json\/wp\/v2\/media\/28927"}],"wp:attachment":[{"href":"https:\/\/www.londonpianoinstitute.co.uk\/wp-json\/wp\/v2\/media?parent=28918"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.londonpianoinstitute.co.uk\/wp-json\/wp\/v2\/categories?post=28918"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.londonpianoinstitute.co.uk\/wp-json\/wp\/v2\/tags?post=28918"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}